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Lillian Morrissey explores the politics of underground electronic music.

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Midnight, July 13. Creeping out of the semi-darkness of the industrial outskirts of London is a deep, repetitive beat. Embedded in a neon spectacle of lights and movement, I can see more clearly with every advancing step, tucked under a highway underpass between a canal and a vacant lot. Cars pass overhead, entirely unaware of what is happening beneath them. [...]